Pesto crostini: With pear or caramelized onions and skirt steak
Friday, February 26th, 2010
If you’ve been around long enough, you may have noticed things are getting a bit green in here, what with a salad and a broccoli rabe-heavy spaetzle as my last two recipe posts. Green just seems like the thing to do in the middle of February. Maybe it’s a subconscious thing to counteract all that V-day red we’ve been seeing, or maybe I’m jumping the gun into March. Either way, it just feels right.
These recipes were inspired by the simple pear, basil and parmesan salad I made for L.A.’s Stir It 28 event for Haiti last weekend (that of which I adapted from Leite’s Culinaria). People really seemed to like the combination of pear and basil.
For those not familiar with Stir It 28, read the rundown here. A handful of dedicated and super-friendly food bloggers, caterers and chefs descended on Greg/SippitySup’s lovely Hollywood Hills kitchen in the name of Haiti. (I’m compelled to mention here that Greg has excellent taste in knives. Shun, baby.) We cooked for an estimated 75 guests, all whom donated to the Stir It 28 Haiti fund. For more coverage of the L.A. event, visit the Duo Dishes, The Food Addicts, Uncouth Gourmands, South Bay Rants n Raves and Domestic Divas. (I’ll add more links as they come in!) If you didn’t attend the event, you can still donate to the cause by visiting Flanboyant Eats or CocoCooks and clicking on the logo. All proceeds benefit Share Our Strength and Yele Haiti. Donations will be accepted until Feb. 28.
So back to the recipe: The pesto portion of these recipes can be doubled, tripled – quadrupled even – to suit your needs. And if you have more than an hour on your hands, I suggest cooking the onions down until they’re really browned — not just a golden brown. The darker they are, the sweeter they will be.
PEAR AND PESTO CROSTINI
Yield: 2 to 3 servings (or if you’re me, 1 serving)
- 1/2 loaf French bread
- 2 cups packed basil leaves
- 1 clove garlic
- 1/4 cup pine nuts
- 1/4 cup Pecorino Romano
- 3 tablespoons your best olive oil
- Salt and pepper, to taste
- 1 Bosc pear
1. Preheat oven to 400 degrees. Slice French loaf into 1/2-inch-thick slices, and brush (or spray, if you have one of those nifty Misto things) with olive oil. Place slices on baking sheet and toast in oven for 10-15 minutes, or until edges are a deep golden brown. Remove from oven and set aside.
2. While those are in the oven, make your pesto. In a food processor, combine basil leaves, garlic clove, pine nuts and Romano cheese. Pulse until pesto is coarse in texture, like coarse sand. Add in olive oil and process until fully incorporated. Taste. Add salt and pepper, if needed. Scrape pesto into a serving bowl or dish and set aside. (You should have about 3/4 cup.)
3. Cut pear into thin slices and place on a platter with crostini and pesto. To assemble: Spread pesto over crostini and top with pear and fresh ground black pepper, if desired. (Click on “Read the rest of this entry” for skirt steak/caramelized onion recipe.)










Most braising recipes call for a sturdy cut of meat that can withstand the low and slow cooking without turning into mush. Cuts like beef chuck and stew meat work well because they contain a lot of collagen, a strong connective tissue that eventually melts down into a gelatin. The result is soft, buttery meat that you can pull apart with your hands (or fork). While you’re cooking, you can actually see this process for yourself: In its initial cooking stages, the meat cubes seem to seize up, and it becomes difficult jab with a fork. But as time passes on and the collagen melts away, the beef becomes softer, taking on the flavors of the wine, until finally you are left with meat that falls apart and is a delight to eat.
Examples: Food snobs wanting Italian will only go to a place owned by a Scarface mob boss twirling his moustache and plotting your off if you make a face like his Nonna’s spaghetti has too much salt. For a bowl of pho, food snobs will only walk into the shoebox-of-a-restaurant with a lucky dollar on the wall and an English-translated menu that you want to edit with a thick, red Sharpie.




